| 映画名 |
配給先 |
年 |
| THE
MUSIC BOX |
White Lion
Prods. |
1980 |
| THIEF
|
United Artists |
1980 |
| THE
PERFECT CIRCLE |
Columbia
Pictures |
1980 |
| ON
THE RIGHT TRACK |
Columbia
Pictures |
1980 |
| FOUR
FRIENDS |
Filmways,
Brighton Prods. |
1980 |
| ESCAPE
FROM NEW YORK CITY |
Avco, Embassy |
1980 |
| ENDLESS
LOVE |
Polygram
Pictures |
1980 |
| THE
PSYCHOTRONIC MAN |
International
Harmony Films |
1980 |
| PENNIES
FROM HEAVEN |
MGM Studios |
1981 |
| THEY
CALL ME BRUCE |
Goldpine
Prods. |
1981 |
| THINGS
ARE TOUGH ALL OVER |
Cheech &
Chong for Columbia |
1982 |
| BAD
BOYS |
EMI Prods.,
Robert Solo |
1982 |
| RISKY
BUSINESS |
Tisch/Avnet
Prods., Geffen Film Prods. |
1982 |
| DR.
DETROIT |
Universal
Studios |
1982 |
| I
WAS A MAIL ORDER BRIDE |
Michael Jaffee
Prods. |
1982 |
| NATIONAL
LAMPOON'S VACATION |
Warner Bros.
Studios |
1982 |
| THE
APPRENTICE |
Whitefire
Films |
1982 |
| CLASS
|
Orion Pictures |
1982 |
| WINDY
CITY |
CBS Theatrical
Films |
1982 |
| RISKY
BUSINESS |
|
1983 |
| STREETS
OF FIRE |
Universal
Studios |
1983 |
| HAMBONE
AND HILLY |
Sandy Howard
Prods. |
1983 |
| 16
CANDLES |
Universal
Studios |
1983 |
| THE
BIG SCORE |
Po'Boy Productions |
1983 |
| COME
AROUND |
Far Point
Films |
1983 |
| GRANDVIEW
U.S.A. |
CBS Theatrical
Films |
1983 |
| RIVER
RATS |
Sundance
Institute |
1983 |
| HEARTBREAKER
|
Koch/Marshall
Prods. |
1983 |
| THE
ULTIMATE SOLUTION OF GRACE QUIGLEY |
Cannon Film
Group |
1983 |
| THE
BREAKFAST CLUB |
Universal
Studios |
1984 |
| TOUCH
AND GO |
Kings Road
Prods. |
1984 |
| CODE
OF SILENCE |
Orion Pictures |
1984 |
| WEIRD
SCIENCE |
Universal
Studios |
1984 |
| DEATH
IN CALIFORNIA |
Lorimar Studios |
1985 |
| CLUB
PARADISE |
Warner Brothers |
1985 |
| JUST
ANOTHER SATURDAY NIGHT |
Columbia
Pictures |
1985 |
| JO
JO DANCER |
Columbia
Pictures |
1985 |
| LUCAS
|
20th Century
Fox |
1985 |
| WILDCATS
|
Warner Brothers |
1985 |
| ZONING
|
Scala Filmproduktion-Germany |
1985 |
| NOTHING
IN COMMON |
Tri-Star
Films |
1985 |
| FERRIS
BUELLER'S DAY OFF |
Paramount
Pictures |
1985 |
| ABOUT
LAST NIGHT |
Tri-Star
Films |
1985 |
| MANHUNTER
|
International
Film Corp. |
1985 |
| RAW
DEAL |
International
Film Corp. |
1985 |
| RUNNING
SCARED |
MGM/UA |
1985 |
| NO
MERCY |
Tri-Star
Pictures |
1986 |
| LET'S
GET HARRY |
Tri-Star
Pictures |
1986 |
| THE
COLOR OF MONEY |
Walt Disney
Studios |
1986 |
| LIGHT
OF DAY |
Taft/Barish
Entertainment |
1986 |
| NATIVE
SON |
Diane Silver
Prods. |
1986 |
| PERSONAL
FOUL |
Personal
Foul Ltd. |
1986 |
| END
OF THE LINE |
End of the
Line Prods. |
1986 |
| THE
UNTOUCHABLES |
Paramount
Pictures |
1986 |
| THE
BIG TOWN |
Columbia
Pictures |
1986 |
| BIG
SHOTS |
Lorimar Pictures |
1986 |
| JIMMY
REARDON |
Jimmy Reardon
Prods. |
1986 |
| SHE'S
HAVING A BABY |
Paramount
Pictures |
1986 |
| RENT-A-COP
|
Kings Road
Prods. |
1986 |
| HENRY:
PORTRAIT OF A SERIAL KILLER |
James McNaughton |
1986 |
| WEEDS
|
Dino DeLaurentis
Studios |
1987 |
| ADVENTURES
IN BABYSITTING |
Disney Studios |
1987 |
| VICE
VERSA |
Columbia
Pictures |
1987 |
| PLANES,
TRAINS AND AUTOMOBILES |
Paramount
Pictures |
1987 |
| POLTERGEIST
III |
MGM Studios |
1987 |
| ABOVE
THE LAW |
Warner Brothers |
1987 |
| SWITCHING
CHANNELS |
Columbia
Pictures |
1987 |
| RED
HEAT |
Carolco,
Lone Wolf Prods. |
1987 |
| BETRAYED
|
Winkler Films/UA |
1987 |
| MIDNIGHT
RUN |
Paramount
Pictures |
1987 |
| THINGS
CHANGE |
Cinehaus,
Inc. |
1987 |
| CHILD'S
PLAY |
United Artists |
1988 |
| THE
TENDER |
Trans World
Entertainment |
1988 |
| FIELD
OF DREAMS |
Shoeless
Joe Prods. |
1988 |
| TAXI
KILLERS |
Varo Films |
1988 |
| DESIRE
|
Kingsley
Celluloid |
1988 |
| MEN
DON'T LEAVE |
Warner Brothers |
1988 |
| CHAINS
|
American
Independent |
1988 |
| NEXT
OF KIN |
Lorimar Pictures |
1988 |
| MAJOR
LEAGUE |
Mirage Prods. |
1988 |
| WHEN
HARRY MET SALLY |
Castle Rock
Prods. |
1988 |
| THE
PACKAGE |
Orion Pictures |
1989 |
| UNCLE
BUCK |
Universal
Pictures |
1989 |
| MUSIC
BOX |
Carolco Films |
1989 |
| OPPORTUNITY
KNOCKS |
Imagine Films |
1989 |
| MISS
MISSOURI |
Une Prods. |
1989 |
| VICTIMLESS
CRIME |
Framed Prods. |
1989 |
| FLATLINERS
|
Columbia
Pictures |
1989 |
| SHAKING
THE TREE |
Reality Films |
1989 |
| THE
PERFECT MODEL |
Daryll Roberts,
Chicago Cinema Entertainment |
1989 |
